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Solenoid_Entity
Karma: 413
Things Solenoid Narrates
See here: https://www.lesswrong.com/posts/b9oockXDs2xMdYp66/announcement-ai-narrations-available-for-all-new-lesswrong
Please share your feedback here or in the comments on that post, it’s helpful for our decision-making on this :)
Big +1 to playing with others, especially others around the same level or slightly better or worse.
Motivation is one thing, but it’s also just… healthier. One’s musical ‘practice’ can’t be totally inward-looking, that’s when perfectionism starts to bite. Orchestra forces you to compromise and actually learn and perform music, gets you out of the practice room, and generally turbocharges your learning by exposing you to a more varied set of demands on your playing and musicality.
Super hard mode is forming a string quartet with others, since your playing is super exposed and it forces you to stay in time and balance your sound with others.
Thanks for the feedback!
The audio reflecting updates to the text is relatively easily fixed, and that feature is in the pipeline (though for now user reports are helpful for this.)
There’s some fairly complex logic we use for lists — trying to prevent having too many repetitive audio notes, but also keeping those notes when they’re helpful. We’re still experimenting with it, so thanks for pointing out those formatting issues!
You’d probably want to factor in some time for making basic corrections to pronunciation, too.
ElevenLabs is pretty awesome but in my experience can be a little unpredictable with specialist terminology, of which HPMOR has… a lot.
It wouldn’t be crazy to do an ElevenLabs version of it with multiple voices etc., but you’re looking at significant human time to get that all right.
It’s unlikely we’ll ever actually GENERATE narrations for every post on LessWrong (distribution of listening time would be extremely long-tailed), but it’s plausible if the service continues that we’ll be able to enable the player on all LW posts above a certain Karma threshold, as well as certain important sequences.
If you have specific sequences or posts in mind, feel free to send them to us to be added to our list!
This is great to hear, and please feel free to contact us with any other features or improvements you’d find helpful :)
Ha, oops! Yeah, there’s a lot of specialist terminology, we find feedback like this really helpful as often we’re able to quickly fix this.
Currently we can trigger this if someone requests it, and we have a feature in the pipeline to detect significant changes automatically and re-narrate.
Announcement: AI Narrations Available for All New LessWrong Posts
Double-attrition perfectionism and the violin
An interesting thing about violin is that the learning process seems nearly designed to produce ‘tortured perfectionists’ as its output.
The first decade of learning operates as a two-pronged selection process that attrits students at different times in their learning journey, requiring perfectionism at some times and tolerance at others.You could be boring and argue that it always requires both attention to detail and tolerance of imperfection, simultaneously. You could also argue that there’s a fractal, scale invariant pattern of striving for perfection and then tolerating failure. You’re boring and probably right, but I think there’s actually a common, macro structure to that decade, that goes ‘tolerance-perfectionism-tolerance-perfectionism.’
Specifically:
When you first start, you need to tolerate being terrible, especially in the first months, but really for several years. (Grade 1- Grade ~3)
You suck, it’s horribly offensive to your ears and everyone else’s too. You must simply ignore how bad you sound and force your body to learn the required movements.
Mistakes on violin are brutal, they almost hurt to hear.
Then for several more years you must suddenly become intolerant of these same deficiencies. (Grade ~3 to Grade ~6)
You must obsessively eliminate scratches and squawks, develop clear and even tone. Polish your ‘beginner’ skills.
You must learn to play in tune, which requires intensive practice and polishing.
Then for several more years you must again stop worrying about sounding bad and start ‘pushing the envelope’ and playing more expressively. (Grade ~6 - Grade ~8)
Developing exciting and varied sounds means a lot of nasty failures that sound awful and make people wince and/or bang walls.
Then for several more years, you have to again polish and refine this expressiveness. (Associate diploma, Bachelor of Music.)
You have to learn to platy really in tune.
Like really really in tune.
Like unless you’re lucky you probably lack the pitch resolution in your hearing to even notice the difference.
Like
More in tune than a well-tuned piano. Not strictly ‘Just Intonation’ but a compromise intonation system that allows the series of perfect 5ths G, D, A and E to remain fixed in all keys, but other notes to fall perfectly in tune with each other around these fixed points.
You’re supposed to learn this system intuitively by just playing scales as in-tune as you can, often playing two notes at the same time (thirds, sixths, octaves, 11ths).
These changes correspond to fractions of a millimeter difference in position on the string.
Practice sessions now involve hours of obsessive, tiny intonation adjustments.
The result is that if someone plays violin at a professional level, they either have a very healthy relationship with their perfectionism and can adapt it to the needs of the moment (hahahahhhahahah), or they are a deeply disturbed individual who is somehow either able to pretend not to hate their playing for years, or able to force themselves to care about details that don’t bother them in the slightest.
This is as far as I’ve gone (I’m on the final step, trying to reach professional level). If you go further and become a soloist, I don’t know what that implies about your psychology. Soloists seem normal and occasionally seem well-adjusted, but perhaps we should learn to fear them.
Solenoid_Entity’s Shortform
I think there may be a typo in the table directly under the heading “Token probability shifts.”
If it’s not a typo, why are both coefficients positive? Aren’t we meant to subtract the vector for ′ ’?
[Question] Is there a ‘time series forecasting’ equivalent of AIXI?
Edit: removed a bad point.
If you object strongly to the use of the term UBI in the post, you can replace it with something else.
Then I make a number of substantive arguments.
Your response so far is ‘if it’s a UBI it won’t suffer from these issues by its very definition.‘
My response is ‘yes it will, because I believe any UBI policy proposal will degrade into something less than the ideal definition almost immediately when implemented at scale, or just emerge from existing welfare systems piecemeal rather than all at once. Then all the current concerning ‘bad things that happen to people who depend on government money’ will be issues to consider.
I’m speaking about the policy that’s going to be called UBI when it’s implemented. You’re allowed to discuss e.g. socialism without having to defer to a theoretical socialism that is by definition free of problems.
Anyway, it’s a quibble, feel free to find and replace UBI with ‘the policy we’ll eventually call UBI’, it doesn’t change the argument I make.
Where do I call existing welfare systems UBI? That’s a misunderstanding of my argument.
My point is that I don’t think it’s likely that future real-world policies will BE universal. They’ll be touted as such, they might even be called UBI, but they won’t be universal. I argue they’re likely to emerge from existing social welfare systems, or absorb their infrastructure and institutions, or at least their cultural baggage.
I can see the confusion, and maybe I should have put ‘UBI’ in quotes to indicate that I meant ‘the policy I think we’ll actually get that people will describe as UBI or something equivalent.’
My point is not to argue that existing welfare systems are UBI. I don’t use any non-standard definitions. I don’t call existing welfare systems UBI.
My point is that the real-world policy we’re likely to eventually call UBI probably won’t actually be universal, and if it emerges as a consequence of more and more people relying on social welfare, or else is associated with social welfare culturally, bad things will likely happen. Then I give some examples of the sort of bad things I mean.
I frequently hear people saying something like “and this is why we need a UBI”
This is a good point. I would like it very much if we could implement a UBI policy that did not come with the cultural baggage of existing social welfare systems. I would like it if existing social welfare systems would become more unconditional. I see why people think UBI would achieve this. I think they’re more optimistic than I am about our ability to shed our social attitudes to work and welfare. Maybe it’ll change with demographics, who knows...
Ahh good point, sorry I didn’t notice that. I’ll update the post shortly.