You’re right. The idea behind Académie française style guidelines is that language is not only about factual communication, but also an art, literature. Efficiency is one thing, aesthetics another. For instance, poetry conveys meaning or at least feeling, but in a strange way compared to prose. Poetry would not be very effective to describe an experimental protocol in physics, but it is usually more beautiful to read than the methodology section of a scientific publication. I also enjoy the ‘hypotaxic’ excerpt above much more than the ‘parataxic’ one. Rich sentences are not bad per se, they need more effort and commitment to read, but sometimes, if well written, give a greater reward, because complexity can hold more subtlety, more information. Short sentences are not systematically superior in all contexts; they can look as flat as a 2D picture compared to a 3D picture.
You’re right. The idea behind Académie française style guidelines is that language is not only about factual communication, but also an art, literature. Efficiency is one thing, aesthetics another. For instance, poetry conveys meaning or at least feeling, but in a strange way compared to prose. Poetry would not be very effective to describe an experimental protocol in physics, but it is usually more beautiful to read than the methodology section of a scientific publication. I also enjoy the ‘hypotaxic’ excerpt above much more than the ‘parataxic’ one. Rich sentences are not bad per se, they need more effort and commitment to read, but sometimes, if well written, give a greater reward, because complexity can hold more subtlety, more information. Short sentences are not systematically superior in all contexts; they can look as flat as a 2D picture compared to a 3D picture.