Funny. I love Hesse, but found “The Glass Bead Game” to be incompetent SF by a literary genius who unfortunately thought that he was inventing the genre and thus didn’t know how it should be done. OTOH, in general I find that when established literary authors dabble in sf they usually botch it terribly while winning great acclaim for it.
Minsky is fabulous. Popper is fairly interesting, from a historical perspective.
I also have a pretty jaded opinion of that same category of dabblers in science fiction, but I didn’t really perceive Hesse in that light.
I identify “science-fictiony” books as being not only about technology, but about unusual, daring ideas taken to their logical conclusions; e.g. Borges and Calvino would usually qualify. But I didn’t find Glass Bead Game to be focused on that; I found the most gripping parts of the book to be Knecht’s intellectual and spiritual development, and how each of the characters negotiated the balance between a life of the mind and the rest of the world. Not very SF.
However, it’s true that the big “idea”, the Game itself, was immensely attractive to me, in a science-fictiony way, and maybe in a narcissistic way. I wish Hesse had been alive to learn computer programming; perhaps he would have had something to say about that.
Makes sense. I suppose that my objection is not to idea fiction being done by literary types (I like Borges a LOT) but to world-building done by literary types (other than David Foster Wallace, but he’s more the ‘genius-polymath’ type), which is what I really think gets the critical acclaim despite being pretty uniformly awful when compared to even competent SF.
This is the nth time someone recommends me Borges. Although I have never felt particularly attracted to his writings by sampling pages of his books, I am reaching some kind of irresistible threshold I am about to cross. Will read something from him.
Funny. I love Hesse, but found “The Glass Bead Game” to be incompetent SF by a literary genius who unfortunately thought that he was inventing the genre and thus didn’t know how it should be done. OTOH, in general I find that when established literary authors dabble in sf they usually botch it terribly while winning great acclaim for it.
Minsky is fabulous. Popper is fairly interesting, from a historical perspective.
I also have a pretty jaded opinion of that same category of dabblers in science fiction, but I didn’t really perceive Hesse in that light.
I identify “science-fictiony” books as being not only about technology, but about unusual, daring ideas taken to their logical conclusions; e.g. Borges and Calvino would usually qualify. But I didn’t find Glass Bead Game to be focused on that; I found the most gripping parts of the book to be Knecht’s intellectual and spiritual development, and how each of the characters negotiated the balance between a life of the mind and the rest of the world. Not very SF.
However, it’s true that the big “idea”, the Game itself, was immensely attractive to me, in a science-fictiony way, and maybe in a narcissistic way. I wish Hesse had been alive to learn computer programming; perhaps he would have had something to say about that.
Makes sense. I suppose that my objection is not to idea fiction being done by literary types (I like Borges a LOT) but to world-building done by literary types (other than David Foster Wallace, but he’s more the ‘genius-polymath’ type), which is what I really think gets the critical acclaim despite being pretty uniformly awful when compared to even competent SF.
I generally agree (but not about Hesse).
This is the nth time someone recommends me Borges. Although I have never felt particularly attracted to his writings by sampling pages of his books, I am reaching some kind of irresistible threshold I am about to cross. Will read something from him.
I liked “Glass Bead Game” very much (but not as much as “Anathem”).