Since I first read this about a year ago, it had had an interesting side effect. I am less able to enjoy fiction where the plot requires a monogamous assumption to function. Plots and Tropes like “Love Triangle”, “Who Will Zie Choose?”, “Can’t Date Them, Not the One”, and some “Cheating Spouse” and “Jealous Spouse” now seem weird and artificial to me (unless the poly option is considered and discarded).
I was never a huge fan of romance or romantic comedy, so this is no great loss. It is an interesting minor memetic hazard though.
By analogy with an Idiot Plot which dissolves in the presence of smart characters, a “Muggle Plot” is any plot which dissolves in the presence of transhumanism and polyamory.
Shortly after generalizing this abstraction, someone at a party told me the original tale of the Tin Woodsman, in which there are two men vying for the attention of a healer woman who gives them replacement metal body parts while constructing a whole new body out of the spares. In the end, she decides that the men she’s been healing are mechanical and therefore unloveable, and goes off with the new man she’s constructed.
“Ah,” I said, “a Muggle Plot.”
They’re surprisingly common once you start looking. I originally generalized it while watching the romantic subplot in Madoka. Blah blah, not a real human, blah blah, love rival..
As cool as that term sounds, I’m not sure I like it. I think it’s too strongly reinforcing of ideas like superiority of rationalists over non-rationalists. Even in cases where rationalists are just better at things, it seems like it’s encouraging thinking of Us and Them to an unnecessary degree.
Also, assuming there is a good enough reason to convince me that the term should be used, why is transhumanism-and-polyamory the set of powers defining the non-muggles? LessWrong isn’t that overwhelmingly poly, is it?
Plots which are just about people not being rational are a subspecies of “Idiot Plots”. Plots which are about people not behaving like SF con-goers are “Muggle Plots”.
I don’t really see the inherent superiority idea. Seems like there should be plenty of interesting ways to mess up everything with polyamory and transhumanism as well as with monogamy and bioconservatism, just like muggles and wizards both have failure modes, just different.
I thought for a while, and I really can’t imagine any cases of works which would be unsuitable for all LWers that arn’t worth hanging around and arguing about. I agree. We should be calling these people ignorant and criticising their work, not assigning them a permanent class division, shaking our heads, and going back to our camp.
The retconned version is a bit more of a transhumanist story. Nick Chopper abandoned Nimmie Amee after his series of cursed injuries deprived him of his heart — construed here as the seat of the emotions. He was (some time later) fitted with a new heart; but it was a kind heart, not a loving heart, and so he didn’t return to her.
Aside from the anatomic specifics, it’s a problem of maintaining goals under self-modification!
Requesting clarification on a point in reply to this post because it doesn’t deserve it’s own Discussion post but I want to know, and since the core question is Muggle Plots I can’t think of a better point.
Basically, I’m not sure whether the following hypothetical scenario counts as a “Muggle Plot” (in Elizier’s sense of a plot a rationalist would easily be able to avert) or not. The scenario:
-An individual, A, splits into two individuals (called B and C for distinction). This is a philosophical style fission- in every sense in which it is physically possible, B and C are each identical to the original.
-A was and B and C are selfish individuals. B and C get into a serious fight (let’s say a fight to the death, though I think that’s peripheral) over Selfish Gain X, a gain which one of them can have but not both by it’s nature. There is no intelligent solution to the problem of X that gives both of them even 50% of what they want.
Although many people here would argue that this is a Muggle Plot as B and C are the same individual, I see no contradiction in B and C’s semi-utility functions in acting selfishly and ignoring the other’s desires. However, given arguments that A, B, and C are the same person some people might call it irrational.
Not what I’d call a Muggle Plot, no. See also, The Fate of the Phoenix by Sondra Marshak and Myrna Culbreath. Can be read without its predecessor novel.
Amusingly, I find I’m subject to this effect despite being happily in a monogamous relationship myself, simply by virtue of living in an increasingly poly-normative social environment. Culture-default handling of traditional gender roles often have this effect on me as well.
That kind of story doesn’t assume that polygamy is nonexistent. It only assumes that polygamy is rare enough that it’s pretty unlikely as a solution. If a similar percentage of people are willing to participate in polyamory as are gay, that’s around 5%.. The odds that three random people in a love triangle, who aren’t already selected for polyamory, are all polyamorous will then be 1 in 8000. That’s small enough that the story really doesn’t need to consider and then discard the option.
Judging from how many nominally monogamous people switched to being nominally polygamous in my social circle as the social norm changed, versus how many didn’t, I strongly doubt that a plurality of the population is sufficiently exclusively and innately monogamous that considering alternatives is a waste of time.
Then again, I also doubt that 95% of the population is exclusively and innately heterosexual. OTOH, I’ve never lived in a normatively bisexual community, so I have minimal data
Yeah, I have this problem too. I can still write mono characters, but I’m more thoughtful about it than I used to be. (I suspect I’d enjoy reading thoughtfully-written mono characters more.)
Since I first read this about a year ago, it had had an interesting side effect. I am less able to enjoy fiction where the plot requires a monogamous assumption to function. Plots and Tropes like “Love Triangle”, “Who Will Zie Choose?”, “Can’t Date Them, Not the One”, and some “Cheating Spouse” and “Jealous Spouse” now seem weird and artificial to me (unless the poly option is considered and discarded).
I was never a huge fan of romance or romantic comedy, so this is no great loss. It is an interesting minor memetic hazard though.
By analogy with an Idiot Plot which dissolves in the presence of smart characters, a “Muggle Plot” is any plot which dissolves in the presence of transhumanism and polyamory.
Shortly after generalizing this abstraction, someone at a party told me the original tale of the Tin Woodsman, in which there are two men vying for the attention of a healer woman who gives them replacement metal body parts while constructing a whole new body out of the spares. In the end, she decides that the men she’s been healing are mechanical and therefore unloveable, and goes off with the new man she’s constructed.
“Ah,” I said, “a Muggle Plot.”
They’re surprisingly common once you start looking. I originally generalized it while watching the romantic subplot in Madoka. Blah blah, not a real human, blah blah, love rival..
As cool as that term sounds, I’m not sure I like it. I think it’s too strongly reinforcing of ideas like superiority of rationalists over non-rationalists. Even in cases where rationalists are just better at things, it seems like it’s encouraging thinking of Us and Them to an unnecessary degree.
Also, assuming there is a good enough reason to convince me that the term should be used, why is transhumanism-and-polyamory the set of powers defining the non-muggles? LessWrong isn’t that overwhelmingly poly, is it?
Plots which are just about people not being rational are a subspecies of “Idiot Plots”. Plots which are about people not behaving like SF con-goers are “Muggle Plots”.
I don’t really see the inherent superiority idea. Seems like there should be plenty of interesting ways to mess up everything with polyamory and transhumanism as well as with monogamy and bioconservatism, just like muggles and wizards both have failure modes, just different.
I thought for a while, and I really can’t imagine any cases of works which would be unsuitable for all LWers that arn’t worth hanging around and arguing about. I agree. We should be calling these people ignorant and criticising their work, not assigning them a permanent class division, shaking our heads, and going back to our camp.
http://oz.wikia.com/wiki/Nimmie_Amee
The retconned version is a bit more of a transhumanist story. Nick Chopper abandoned Nimmie Amee after his series of cursed injuries deprived him of his heart — construed here as the seat of the emotions. He was (some time later) fitted with a new heart; but it was a kind heart, not a loving heart, and so he didn’t return to her.
Aside from the anatomic specifics, it’s a problem of maintaining goals under self-modification!
Requesting clarification on a point in reply to this post because it doesn’t deserve it’s own Discussion post but I want to know, and since the core question is Muggle Plots I can’t think of a better point.
Basically, I’m not sure whether the following hypothetical scenario counts as a “Muggle Plot” (in Elizier’s sense of a plot a rationalist would easily be able to avert) or not. The scenario:
-An individual, A, splits into two individuals (called B and C for distinction). This is a philosophical style fission- in every sense in which it is physically possible, B and C are each identical to the original.
-A was and B and C are selfish individuals. B and C get into a serious fight (let’s say a fight to the death, though I think that’s peripheral) over Selfish Gain X, a gain which one of them can have but not both by it’s nature. There is no intelligent solution to the problem of X that gives both of them even 50% of what they want.
Although many people here would argue that this is a Muggle Plot as B and C are the same individual, I see no contradiction in B and C’s semi-utility functions in acting selfishly and ignoring the other’s desires. However, given arguments that A, B, and C are the same person some people might call it irrational.
Not what I’d call a Muggle Plot, no. See also, The Fate of the Phoenix by Sondra Marshak and Myrna Culbreath. Can be read without its predecessor novel.
Amusingly, I find I’m subject to this effect despite being happily in a monogamous relationship myself, simply by virtue of living in an increasingly poly-normative social environment. Culture-default handling of traditional gender roles often have this effect on me as well.
That kind of story doesn’t assume that polygamy is nonexistent. It only assumes that polygamy is rare enough that it’s pretty unlikely as a solution. If a similar percentage of people are willing to participate in polyamory as are gay, that’s around 5%.. The odds that three random people in a love triangle, who aren’t already selected for polyamory, are all polyamorous will then be 1 in 8000. That’s small enough that the story really doesn’t need to consider and then discard the option.
Judging from how many nominally monogamous people switched to being nominally polygamous in my social circle as the social norm changed, versus how many didn’t, I strongly doubt that a plurality of the population is sufficiently exclusively and innately monogamous that considering alternatives is a waste of time.
Then again, I also doubt that 95% of the population is exclusively and innately heterosexual. OTOH, I’ve never lived in a normatively bisexual community, so I have minimal data
Yeah, I have this problem too. I can still write mono characters, but I’m more thoughtful about it than I used to be. (I suspect I’d enjoy reading thoughtfully-written mono characters more.)