“Reverse engineering the facts out of an aesthetic” is an interesting takeaway. I guess it’s actually not that different from the original “aesthetic doublecrux” idea that generated this post, but applying it unilaterally to a work of art without an artist to argue with is an interesting approach.
“Reverse engineering the facts out of an aesthetic” is an interesting takeaway. I guess it’s actually not that different from the original “aesthetic doublecrux” idea that generated this post, but applying it unilaterally to a work of art without an artist to argue with is an interesting approach.