The visual techniques of TV—cuts, zooms, pans, and sudden noises—all activate the orient response.
Anecdote, but this form of rapid cutting is most assuredly alive and well. I saw a promotional ad for an upcoming MLB baseball game on TBS. In a mere 25 seconds, I counted over 35 different cuts, cuts between players, cuts between people in the studio, cut after cut after cut. It was strangely exhausting.
I noticed this same editing style in a children’s show about 20 years ago (when I last watched TV regularly). Every second there was a new cut—the camera never stayed focused on any one subject for long. It was highly distracting to me, such that I couldn’t even watch without feeling ill, and yet this was a highly popular and award-winning television show. I had to wonder at the time: What is this doing to children’s developing brains?
When I watched “Spider-Man: Across the Spider-Verse” in theaters last year, the animations were amazing but I left two hours later with a headache. Maybe it’s a sign that I’m getting older, but it was just too much for my brain.
Anecdote, but this form of rapid cutting is most assuredly alive and well. I saw a promotional ad for an upcoming MLB baseball game on TBS. In a mere 25 seconds, I counted over 35 different cuts, cuts between players, cuts between people in the studio, cut after cut after cut. It was strangely exhausting.
I noticed this same editing style in a children’s show about 20 years ago (when I last watched TV regularly). Every second there was a new cut—the camera never stayed focused on any one subject for long. It was highly distracting to me, such that I couldn’t even watch without feeling ill, and yet this was a highly popular and award-winning television show. I had to wonder at the time: What is this doing to children’s developing brains?
When I watched “Spider-Man: Across the Spider-Verse” in theaters last year, the animations were amazing but I left two hours later with a headache. Maybe it’s a sign that I’m getting older, but it was just too much for my brain.