Back in the story’s early days I predicted that prime factoring wouldn’t work, because then the story wouldn’t be about rationality any more… it would be about time travel. If my theory and your theory are syncretized then “the force” here is simply “Eliezer’s plot generation efforts which will output a story consistent with his broader authorial intent”.
In this model, the way the characters might be able to choice-fully manipulate “the force that chooses time loops” to give them what they want is by being genre savvy enough to have their planning process be the one that functions as a positive example of science informed x-rationality leading to good outcomes, and the stable time loops that come into existence won’t be super dramatic, but they will helpfully nudge them closer to x-rationality-demonstrating victories. Harry’s unlocked time turner (as of Chapter 90) becomes more interesting in this light.
However, it seems like there’s an element of irony in this framing, because there is almost no scientific evidence that I’m aware of in the heuristics and biases literature (nor inspirational essays in Eliezer’s sequences) that the skill of genre-savvy-ness is useful in real life. On the downside I’ve heard that keeping a diary may have a causal role in depression. On the upside I’ve also heard that reading more novels than normal tends to give people better “other human modeling” skills that can translate into higher salaries. But neither of these sorts of prosaic angles seem central to LW culture?
If my theory and your theory are syncretized then “the force” here is simply “Eliezer’s plot generation efforts which will output a story consistent with his broader authorial intent”.
In a sense, this goes without saying. All stories run on narrative causality. However, part of what makes a story interesting is that it follows consistent laws. There’s no drama in a cliffhanger if gravity isn’t here to stay. Similarly, the time loops are much more interesting if they’re controlled by the characters’ intents and abilities, rather than directly based on what fits the plot.
However, it seems like there’s an element of irony in this framing, because there is almost no scientific evidence that I’m aware of in the heuristics and biases literature (nor inspirational essays in Eliezer’s sequences) that the skill of genre-savvy-ness is useful in real life.
If it’s not useful, then that just means that you’re wrong genre savvy.
Back in the story’s early days I predicted that prime factoring wouldn’t work, because then the story wouldn’t be about rationality any more… it would be about time travel. If my theory and your theory are syncretized then “the force” here is simply “Eliezer’s plot generation efforts which will output a story consistent with his broader authorial intent”.
In this model, the way the characters might be able to choice-fully manipulate “the force that chooses time loops” to give them what they want is by being genre savvy enough to have their planning process be the one that functions as a positive example of science informed x-rationality leading to good outcomes, and the stable time loops that come into existence won’t be super dramatic, but they will helpfully nudge them closer to x-rationality-demonstrating victories. Harry’s unlocked time turner (as of Chapter 90) becomes more interesting in this light.
However, it seems like there’s an element of irony in this framing, because there is almost no scientific evidence that I’m aware of in the heuristics and biases literature (nor inspirational essays in Eliezer’s sequences) that the skill of genre-savvy-ness is useful in real life. On the downside I’ve heard that keeping a diary may have a causal role in depression. On the upside I’ve also heard that reading more novels than normal tends to give people better “other human modeling” skills that can translate into higher salaries. But neither of these sorts of prosaic angles seem central to LW culture?
In a sense, this goes without saying. All stories run on narrative causality. However, part of what makes a story interesting is that it follows consistent laws. There’s no drama in a cliffhanger if gravity isn’t here to stay. Similarly, the time loops are much more interesting if they’re controlled by the characters’ intents and abilities, rather than directly based on what fits the plot.
If it’s not useful, then that just means that you’re wrong genre savvy.