How much overlap do you think there is between these coaches did for you and what a Record Producer does for a recording band (logistics and engineering/palette decisions aside)?
Not having been in a band or recorded an album I wouldn’t be able to comment, I don’t know how much of live playing skills translate to the modern recording process.
I realize things aren’t like when Black Sabbath laid down their self-titled in a weekend, basically playing their live set. Comping is more affordable in Post. And even then, I assume, the lack of a live audience to reflect and ‘bounce’ off of changes the playing dynamic, right?
How much overlap do you think there is between these coaches did for you and what a Record Producer does for a recording band (logistics and engineering/palette decisions aside)?
The third example I give is exactly that, where Andrew produced our CD, so a lot of overlap!
Helping you be a better live band in the moment, though, seems like it’s usually not going to come out of working with a record producer?
Not having been in a band or recorded an album I wouldn’t be able to comment, I don’t know how much of live playing skills translate to the modern recording process.
I realize things aren’t like when Black Sabbath laid down their self-titled in a weekend, basically playing their live set. Comping is more affordable in Post. And even then, I assume, the lack of a live audience to reflect and ‘bounce’ off of changes the playing dynamic, right?