I guess… I’m not sure how well I can visualize the answer to that. I can visualize self-confident characters in plays, I just can’t visualize being one; as soon as I imagine me as the actor, imagining self-confidence immediately breaks suspension of disbelief. (Like imagining Danny DeVito as a leading man in a straightforward, non-subversive romcom).
Screw suspension of disbelief. You’re really into theater now, you want to figure out all about how acting works, and so you want to learn out how to do all sorts of characters to develop a good range, no matter if you’re actually good for casting into one or not. So now you’re trying to figure how to do the confident self-affirmed character, starting from the nuts and bolts. Figure out how they use their voice, how they move themselves, what body language and stereotypical interactions they use in various stock situations and so on. You’re not being in a social situation yourself here, you’re figuring out the mechanics for making a theater scene come together, with yourself as one part of it.
Also maybe look into some actual books on improv theater that have been recommended here occasionally?
You’re really into theater now, you want to figure out all about how acting works, and so you want to learn out how to do all sorts of characters to develop a good range, no matter if you’re actually good for casting into one or not. So now you’re trying to figure how to do the confident self-affirmed character, starting from the nuts and bolts.
Hmm. My emotional reactions as I attempt to push myself towards doing this seem to indicate that I don’t actually want to learn these things—or at the very least, that I anticipate that trying to learn these things will be unsuccessful and embarrassing.
Think how you would perform the role of a self-confident character when acting in a play?
I guess… I’m not sure how well I can visualize the answer to that. I can visualize self-confident characters in plays, I just can’t visualize being one; as soon as I imagine me as the actor, imagining self-confidence immediately breaks suspension of disbelief. (Like imagining Danny DeVito as a leading man in a straightforward, non-subversive romcom).
Screw suspension of disbelief. You’re really into theater now, you want to figure out all about how acting works, and so you want to learn out how to do all sorts of characters to develop a good range, no matter if you’re actually good for casting into one or not. So now you’re trying to figure how to do the confident self-affirmed character, starting from the nuts and bolts. Figure out how they use their voice, how they move themselves, what body language and stereotypical interactions they use in various stock situations and so on. You’re not being in a social situation yourself here, you’re figuring out the mechanics for making a theater scene come together, with yourself as one part of it.
Also maybe look into some actual books on improv theater that have been recommended here occasionally?
Hmm. My emotional reactions as I attempt to push myself towards doing this seem to indicate that I don’t actually want to learn these things—or at the very least, that I anticipate that trying to learn these things will be unsuccessful and embarrassing.