I think this post underestimates the value of practicing and thinking in classic style, even if you chose to ultimately discard it, or not write serious posts in that style. Because writing in classic style is so unnatural to most LessWrong dwellers, forcing yourself to write in that way, unironically, and inhabiting the style in its own lights, and especially doing it in a way that doesn’t leave you unsatisfied in the end, is a great way to grow and improve as a writer, and understand the strengths and weaknesses of your own style of writing.
I think most people shouldn’t write in classic style, for various reasons. But I have a different take here. I think writing in classic style is just very hard for most people, for a number of subtle reasons. A central tenet of classic style is presentation: the writing should look smooth and effortless. But this effortlessness is almost always a mirage, like an Instagram model who spends three hours in front of a mirror to apply the “just woke up”, au naturel, “no makeup makeup” look. Of all the (mostly) internet writers I read, only two writers jump out to me as writing in mostly classic style: Paul Graham and Ted Chiang. I don’t think it’s coincidence that they both are very unprolific, and both talk about how hard it is to write well, and how many edits they go through.
Below is a short coda I wrote in classic style, for a recent article of mine.
Intellectual jokes, at their core, are jokes that teach you new ideas, or help you reconceive existing ideas in a new way.
My favorite forms of intellectual jokes/humor work on multiple levels: They’re accessible to those who just get the surface joke but rewards deeper knowledge with additional layers of meaning. In some of the best examples, the connection to insight is itself subtle, and not highlighted by a direct reference to the relevant academic fields.
There are two failures of attempts to do intellectual humor. They can fail to be intellectual, or they can fail to be funny. Of frequently cited attempts to do “intellectual” humor that fail to be intellectual, there are again two common forms: 1) they are about intellectuals as people, rather than about ideas, or 2) They’re about jargon, not ideas.
In both cases, the joke isn’t intellectual humor so much as “smart people jokes”: the humor rests on stereotypes, in-group solidarity, and the feeling of smartness that you get when you get a joke, but the joke does not actually teach you about new ideas, or help you reconceive of existing ideas in a new way.
Two examples come to mind:
Q: How do you tell if a mathematician is extroverted2?
A: When he’s talking to you, he stares at your shoes!
If you were in my undergrad abstract algebra classes, the above jokes were the shit. For 20 year old math majors, they were hilarious. Nonetheless, they are not, by any reasonable definition of the term, intellectual.
Of course, a more common failure mode is that the jokes simply fail to be funny. I will not offer a treatise into what makes a joke funny. All unfunny jokes are alike in their unfunniness, but each funny joke is funny in its own way.
I’m currently drafting a post on different mature writing by first inhabiting the respective styles and then evaluating the pros and cons, especially in the context of internet writing. It’s a pretty hard post to write, and I suspect it’d be a lot less popular in the end than the Chiang review or many LessWrong posts, but I hope it’d be more helpful.
I think this post underestimates the value of practicing and thinking in classic style, even if you chose to ultimately discard it, or not write serious posts in that style. Because writing in classic style is so unnatural to most LessWrong dwellers, forcing yourself to write in that way, unironically, and inhabiting the style in its own lights, and especially doing it in a way that doesn’t leave you unsatisfied in the end, is a great way to grow and improve as a writer, and understand the strengths and weaknesses of your own style of writing.
I think most people shouldn’t write in classic style, for various reasons. But I have a different take here. I think writing in classic style is just very hard for most people, for a number of subtle reasons. A central tenet of classic style is presentation: the writing should look smooth and effortless. But this effortlessness is almost always a mirage, like an Instagram model who spends three hours in front of a mirror to apply the “just woke up”, au naturel, “no makeup makeup” look. Of all the (mostly) internet writers I read, only two writers jump out to me as writing in mostly classic style: Paul Graham and Ted Chiang. I don’t think it’s coincidence that they both are very unprolific, and both talk about how hard it is to write well, and how many edits they go through.
Below is a short coda I wrote in classic style, for a recent article of mine.
I’m currently drafting a post on different mature writing by first inhabiting the respective styles and then evaluating the pros and cons, especially in the context of internet writing. It’s a pretty hard post to write, and I suspect it’d be a lot less popular in the end than the Chiang review or many LessWrong posts, but I hope it’d be more helpful.