When the audience knows something that the characters do not, this is known as “dramatic irony”. HPMOR is not technically a play but I think the general principle still applies; we can enjoy watching Quirrell fool the other characters even as we are not fooled.
That is the best answer, but the way its written makes it look like its trying to fool the reader. Otherwise there wouldn’t be clues like the fact that Quirrell never actually admitting to being the person Bones suspects him to be.
but the way its written makes it look like its trying to fool the reader.
Eliezer might be aiming further than just us. Future readers will probably not read the notes and LessWrong threads in parallel with the book, and he knows from past reactions that the Voldie hints are interpreted more ambiguously by readers than he intended to. So the style might be intended to be ironic for us and mysterious for future readers.
When the audience knows something that the characters do not, this is known as “dramatic irony”. HPMOR is not technically a play but I think the general principle still applies; we can enjoy watching Quirrell fool the other characters even as we are not fooled.
That is the best answer, but the way its written makes it look like its trying to fool the reader. Otherwise there wouldn’t be clues like the fact that Quirrell never actually admitting to being the person Bones suspects him to be.
Eliezer might be aiming further than just us. Future readers will probably not read the notes and LessWrong threads in parallel with the book, and he knows from past reactions that the Voldie hints are interpreted more ambiguously by readers than he intended to. So the style might be intended to be ironic for us and mysterious for future readers.