In fiction writing, this is known as Show Don’t Tell. Instead of using all-encompassing, succing abstractions, to present the reader with predigested conclusion (Character X is a jerk, Place Y is scary, Character Z is afraid), it is encouraged to show the reader evidence of X’s jerkiness, Y’s scariness, or Z’s fear, and leave it to them to infer from said evidence what is going on. Effectively, what one is doing is tabooing judgments and subjective perceptions such as “jerky”, “scary” or “afraid”, and replace them with a list of jerky actions, scary traits, and symptoms of fear.
In fiction writing, this is known as Show Don’t Tell. Instead of using all-encompassing, succing abstractions, to present the reader with predigested conclusion (Character X is a jerk, Place Y is scary, Character Z is afraid), it is encouraged to show the reader evidence of X’s jerkiness, Y’s scariness, or Z’s fear, and leave it to them to infer from said evidence what is going on. Effectively, what one is doing is tabooing judgments and subjective perceptions such as “jerky”, “scary” or “afraid”, and replace them with a list of jerky actions, scary traits, and symptoms of fear.