This is a crucial question, thank you for asking it! It challenges the model’s boundaries and forces us to be precise about what we mean by ‘suffering’ (dukkha) and ‘craving’ (tanha).
Short Answer: The model does not necessarily deny the existence of such pleasures (they would be in a different category though, more on this later). It invites us to inspect them more closely. Are they truly free from the mechanism of ‘scratching a sore’, or do they contain subtle elements of it? The framework suggests a spectrum rather than a binary.
Distinguishing dukkha (the ‘sore’) from acute pain. First, it’s important to clarify that dukkha in the first noble truth is not just gross pain or misery. It encompasses a subtle, pervasive background of unsatisfactoriness, instability, or ‘dis-ease.’ This can include: - boredom: seeking stimulation (music, study) - existential restlessness or meaning-seeking: pursuing beauty (art) or truth (mathematics) - a sense of incompleteness or lack of accomplishment: the drive to create If the activity primarily functions to relieve that kind of background tension, then it fits the ‘scratch’ dynamics, even if the activity itself is sublime. The pleasure is, in part, the relief of that subtle lack.
The concept of ‘non-craving joy’ (pīti, sukha). Buddhist sources themselves acknowledge states of joy that are not born of sensual craving. In deep meditation (jhāna and samadhi), one experiences rapture and happiness that arise from stillness, concentration, and letting go, not from fulfilling a lack. This is closer to the ‘no-sore’ state manifesting as positive affect. This is what Nāgārjuna means by “more pleasurable still”, abiding in this state is pure joy. Could listening to Bach or contemplating an elegant proof trigger a similar non-acquisitive non-lacking joy? Possibly, if it is experienced with a mind free from craving—free from the ‘itch’ to possess it, to use it for status, to escape something else, or even to prolong the experience itself. The pleasure then is not a relief from a negative, but an appreciation of a positive that arises in a still mind. Then it should be called joy, really.
The model itself might serve as a litmus test. To distinguish between pleasure and non-contrived joy one might ask: - is it addictive? Does its absence create a craving or a sense of loss? (Suggests a ‘scratch’ dynamic.) - what is its emotional aftertaste? Does it lead to contentment and release, or to a craving for more? (The former suggests satiation; the latter suggests the ‘sore’ remains.) - could I enjoy this equally if no one ever knew I experienced it? (Helps isolate it from the ‘sore’ of social validation).
Creating great art or mathematics often involves immense struggle (a ‘sore’), but the moment of breakthrough can feel like a transcendent release from that very struggle. Yet, the appreciation of the final product by a still mind might be different—a pure non-contrived joy.
Therefore, the model doesn’t automatically categorize all pleasure on the same level (there is a non-contrived joy which is beyond the scope of pleasure). What it does: it asks us to discern the underlying mental state. A huge portion of what we chase is relief-driven (‘scratching’), and that a state of peace (‘no sore’) is superior and can itself be profoundly positive. So the pleasures you list could sit anywhere on this spectrum between pleasure and non-contrived joy. The final litmus test is whether there is craving or not.
This is a crucial question, thank you for asking it! It challenges the model’s boundaries and forces us to be precise about what we mean by ‘suffering’ (dukkha) and ‘craving’ (tanha).
Short Answer: The model does not necessarily deny the existence of such pleasures (they would be in a different category though, more on this later). It invites us to inspect them more closely. Are they truly free from the mechanism of ‘scratching a sore’, or do they contain subtle elements of it? The framework suggests a spectrum rather than a binary.
Distinguishing dukkha (the ‘sore’) from acute pain. First, it’s important to clarify that dukkha in the first noble truth is not just gross pain or misery. It encompasses a subtle, pervasive background of unsatisfactoriness, instability, or ‘dis-ease.’ This can include:
- boredom: seeking stimulation (music, study)
- existential restlessness or meaning-seeking: pursuing beauty (art) or truth (mathematics)
- a sense of incompleteness or lack of accomplishment: the drive to create
If the activity primarily functions to relieve that kind of background tension, then it fits the ‘scratch’ dynamics, even if the activity itself is sublime. The pleasure is, in part, the relief of that subtle lack.
The concept of ‘non-craving joy’ (pīti, sukha). Buddhist sources themselves acknowledge states of joy that are not born of sensual craving. In deep meditation (jhāna and samadhi), one experiences rapture and happiness that arise from stillness, concentration, and letting go, not from fulfilling a lack. This is closer to the ‘no-sore’ state manifesting as positive affect. This is what Nāgārjuna means by “more pleasurable still”, abiding in this state is pure joy.
Could listening to Bach or contemplating an elegant proof trigger a similar non-acquisitive non-lacking joy? Possibly, if it is experienced with a mind free from craving—free from the ‘itch’ to possess it, to use it for status, to escape something else, or even to prolong the experience itself. The pleasure then is not a relief from a negative, but an appreciation of a positive that arises in a still mind. Then it should be called joy, really.
The model itself might serve as a litmus test. To distinguish between pleasure and non-contrived joy one might ask:
- is it addictive? Does its absence create a craving or a sense of loss? (Suggests a ‘scratch’ dynamic.)
- what is its emotional aftertaste? Does it lead to contentment and release, or to a craving for more? (The former suggests satiation; the latter suggests the ‘sore’ remains.)
- could I enjoy this equally if no one ever knew I experienced it? (Helps isolate it from the ‘sore’ of social validation).
Creating great art or mathematics often involves immense struggle (a ‘sore’), but the moment of breakthrough can feel like a transcendent release from that very struggle. Yet, the appreciation of the final product by a still mind might be different—a pure non-contrived joy.
Therefore, the model doesn’t automatically categorize all pleasure on the same level (there is a non-contrived joy which is beyond the scope of pleasure). What it does: it asks us to discern the underlying mental state. A huge portion of what we chase is relief-driven (‘scratching’), and that a state of peace (‘no sore’) is superior and can itself be profoundly positive. So the pleasures you list could sit anywhere on this spectrum between pleasure and non-contrived joy. The final litmus test is whether there is craving or not.