None of the things you list have bothered me or detracted from my pleasure. (I have seen the first 5 episodes.)
I am amused by your judging a very good comedy by the standards of drama (in your point 3). Sure, almost all comedy is improved by having dramatic elements and a dramatic story line, but since very good comedy is so much rarer and harder to pull off than very moving and very satisfying drama is, it does not occur to me to regret that the show would not be a particularly moving or satisfying drama if the comedic elements were removed.
In fact, I tend to regard the purposes of the dramatic elements as (1) helping me care about the characters, which of course makes the comedic elements better, and (2) keeping my mind occupied while my “humor batteries” are recharging themselves, i.e., counteracting the effect in which the final jokes of an uninterrupted series of jokes lose their kick. Of course, neither the presence of a dramatic climax or three-act structure contribute substantially towards those two purposes.
In a way I like (what I have seen so far of) season 4 even better since in season 2 or 3 the writing got a little mean (very occasionally) in the same way that for example David Letterman (much more often) gets mean. To be precise, David Letterman used to get mean the last time I watched him about 15 years ago, but he probably has not changed that.
None of the things you list have bothered me or detracted from my pleasure. (I have seen the first 5 episodes.)
I am amused by your judging a very good comedy by the standards of drama (in your point 3). Sure, almost all comedy is improved by having dramatic elements and a dramatic story line, but since very good comedy is so much rarer and harder to pull off than very moving and very satisfying drama is, it does not occur to me to regret that the show would not be a particularly moving or satisfying drama if the comedic elements were removed.
In fact, I tend to regard the purposes of the dramatic elements as (1) helping me care about the characters, which of course makes the comedic elements better, and (2) keeping my mind occupied while my “humor batteries” are recharging themselves, i.e., counteracting the effect in which the final jokes of an uninterrupted series of jokes lose their kick. Of course, neither the presence of a dramatic climax or three-act structure contribute substantially towards those two purposes.
In a way I like (what I have seen so far of) season 4 even better since in season 2 or 3 the writing got a little mean (very occasionally) in the same way that for example David Letterman (much more often) gets mean. To be precise, David Letterman used to get mean the last time I watched him about 15 years ago, but he probably has not changed that.