Playing with the idea that identity is less of an “instantaneous I” of current experience and more like the continuity of experiential snapshots under the curve. Like how no individual frame is “the movie,” but when you run them at 24 frames per second you get the experience of a film that emerges from the continuity.
Playing with the idea that identity is less of an “instantaneous I” of current experience and more like the continuity of experiential snapshots under the curve. Like how no individual frame is “the movie,” but when you run them at 24 frames per second you get the experience of a film that emerges from the continuity.