That actually explains a lot for me—when I was reading The Clockwork Rocket, I kept thinking to myself, ‘how the deuce could anyone without a physics degree follow the math/physics in this story?’ Well, here’s my answer—he’s still up on his math, and now that I check, I see he has a BS in math too.
I thought this comment by Egan said something interesting about his approach to fiction:
A few reviewers [of Incandescence] complained that
they had trouble keeping straight the physical meanings of
the Splinterites’ [direction words]. This leaves me
wondering if they’ve really never encountered a book
before that benefits from being read with a pad of paper
and a pen beside it, or whether they’re just so hung up on
the idea that only non-fiction should be accompanied by
note-taking and diagram-scribbling that it never even
occurred to them to do this. I realise that some people do
much of their reading with one hand on a strap in a
crowded bus or train carriage, but books simply don’t come
with a guarantee that they can be properly enjoyed under
such conditions.
(I enjoyed Incandescence without taking notes. If, while
I was reading it, I had been quizzed on the direction words,
I would have done OK but not great.)
Edit: The other end of the above link contains spoilers for
Incandescence.
To understand the portion I quoted, it suffices to know that
some characters in the story have their own set of six
direction words (instead of “up”, “down”, “north”, “south”,
“east”, and “west”).
Edit 2: I have a bit of trouble keeping track of characters in novels.
When I read on my iPhone, I highlight characters’ names as they’re introduced,
so I can easily refresh my memory when I forgot who someone is.
Yes, he’s pretty unapologetic about his elitism—if you aren’t already able to follow his concepts or willing to do the work so you can, you are not his audience and he doesn’t care about you. Which isn’t a problem with Incandescence, whose directions sound perfectly comprehensible, but is much more of an issue with TCR, which builds up an entire alternate physics.
That actually explains a lot for me—when I was reading The Clockwork Rocket, I kept thinking to myself, ‘how the deuce could anyone without a physics degree follow the math/physics in this story?’ Well, here’s my answer—he’s still up on his math, and now that I check, I see he has a BS in math too.
I thought this comment by Egan said something interesting about his approach to fiction:
(I enjoyed Incandescence without taking notes. If, while I was reading it, I had been quizzed on the direction words, I would have done OK but not great.)
Edit: The other end of the above link contains spoilers for Incandescence. To understand the portion I quoted, it suffices to know that some characters in the story have their own set of six direction words (instead of “up”, “down”, “north”, “south”, “east”, and “west”).
Edit 2: I have a bit of trouble keeping track of characters in novels. When I read on my iPhone, I highlight characters’ names as they’re introduced, so I can easily refresh my memory when I forgot who someone is.
Yes, he’s pretty unapologetic about his elitism—if you aren’t already able to follow his concepts or willing to do the work so you can, you are not his audience and he doesn’t care about you. Which isn’t a problem with Incandescence, whose directions sound perfectly comprehensible, but is much more of an issue with TCR, which builds up an entire alternate physics.