They’re also in an environment where creating an artificial persona is not merely useful, but a fundamental survival tactic: each of these characters would be dead by now if they were not Occlumens (and Lord Mafloy is an Occlumens, see chapter 47), which requires the person to also juggle a separate and highly artificial persona.
And of course, McGonagall acts similarly, even though her reaction is not similarly perfect, possibly because she’s not a perfect Occlumens (and had just dealt with a full day of Rationalist!Harry).
There’s some correlation between IQ and various measures of social awareness, despite the stereotype to the opposite, but it is a learned ability and many experts either don’t learn it, or harness it to different ends. Feymann’s writings on public speaking and instruction suggest that he, for one example, was highly aware of how he made his words and how his public face appeared. At the same time, I’m not sure how much of that was foresight and how much was later introspection—and artificially controlling the flow of a Congressional inquiry may be less ‘creepy’ than artificially controlling the flow of information to an eleven-year-old.
((Yudkowsky’s style may be part of the issue, as well. As in /Three Worlds Collide/ and /Sword of Good/, character dialogue, even from ‘normal’ characters, comes across as artificial at times. That more than the complexity of thought may trigger the creepy vibe.))
They’re also in an environment where creating an artificial persona is not merely useful, but a fundamental survival tactic: each of these characters would be dead by now if they were not Occlumens (and Lord Mafloy is an Occlumens, see chapter 47), which requires the person to also juggle a separate and highly artificial persona.
And of course, McGonagall acts similarly, even though her reaction is not similarly perfect, possibly because she’s not a perfect Occlumens (and had just dealt with a full day of Rationalist!Harry).
There’s some correlation between IQ and various measures of social awareness, despite the stereotype to the opposite, but it is a learned ability and many experts either don’t learn it, or harness it to different ends. Feymann’s writings on public speaking and instruction suggest that he, for one example, was highly aware of how he made his words and how his public face appeared. At the same time, I’m not sure how much of that was foresight and how much was later introspection—and artificially controlling the flow of a Congressional inquiry may be less ‘creepy’ than artificially controlling the flow of information to an eleven-year-old.
((Yudkowsky’s style may be part of the issue, as well. As in /Three Worlds Collide/ and /Sword of Good/, character dialogue, even from ‘normal’ characters, comes across as artificial at times. That more than the complexity of thought may trigger the creepy vibe.))