Yeah, I noticed that too. I felt that it was still a valid test of critics’ ability to interpret art considering that most artists will do the same thing with their collection before entering an exhibition.
And, on reflection, selection is a very weak form of optimization.
Yeah, I noticed that too. I felt that it was still a valid test of critics’ ability to interpret art considering that most artists will do the same thing with their collection before entering an exhibition.
And, on reflection, selection is a very weak form of optimization.