I always looks forward to your fiction, but the Bayeswatch world is starting to feel a little… underpainted? Your prose and plotting style remind me of William Gibson and Peter Watts, who both tend to use the chopped sentences, jump cuts and elision, but they also spend a lot of effort building up so they they can then effectively cut back.
Concrete eg: you just placed a bunch of story action in Iran, but the number of locale specific details was thin: ‘Natanz’, ‘Sherine Fakhrizadeh’, ‘the Israelis’.
I always looks forward to your fiction, but the Bayeswatch world is starting to feel a little… underpainted? Your prose and plotting style remind me of William Gibson and Peter Watts, who both tend to use the chopped sentences, jump cuts and elision, but they also spend a lot of effort building up so they they can then effectively cut back.
Concrete eg: you just placed a bunch of story action in Iran, but the number of locale specific details was thin: ‘Natanz’, ‘Sherine Fakhrizadeh’, ‘the Israelis’.