The problem is the lack of narrative heel-face turns for truly deceptive characters. Once a character reveals they’ve been secretly a racist, evil, whatever, they rarely flip to good and honest spontaneously without a huge character arc.
The problem is the lack of narrative heel-face turns for truly deceptive characters. Once a character reveals they’ve been secretly a racist, evil, whatever, they rarely flip to good and honest spontaneously without a huge character arc.