Greenberg on the lack of anything really new in classical music.
If he can’t find the avant-garde, then that means that either (a) he has completely absorbed the musical contributions of the most advanced composers of today into his subconscious, and thus he himself is the avant-garde, or (b) the level on which he is listening to things is so superficial that only novel surface gimmicks and “effects” qualify as “revolutionary” (in which case, yes, the 20th century probably exhausted that).
His available music indicates that he is not the avant-garde. On the other hand, (b) is an exceedingly common syndrome.
If he can’t find the avant-garde, then that means that either (a) he has completely absorbed the musical contributions of the most advanced composers of today into his subconscious, and thus he himself is the avant-garde, or (b) the level on which he is listening to things is so superficial that only novel surface gimmicks and “effects” qualify as “revolutionary” (in which case, yes, the 20th century probably exhausted that).
His available music indicates that he is not the avant-garde. On the other hand, (b) is an exceedingly common syndrome.