While writing, track an estimate of the mental state of a future reader—confusion, excitement, eyes glossing over, etc.
This may be true if you write a scientific paper, an essay or a non-fiction book. As a professional writer, when I write a novel, I usually don’t think about the reader at all (maybe because, in a way, I am the reader). Instead, I track a mental state of the character I’m writing about. This leads to interesting situations when a character “decides” to do something completely different from what I intended her to do, as if she had her own will. I have heard other writers describe the same thing, so it seems to be a common phenomenon. In this situation, I have two options: I can follow the lead of the character (my tracking of her mental state) and change my outline or even ditch it completely, or I can force her to do what the outline says she’s supposed to do. The second choice inevitably leads to a bad story, so tracking the mental state of your characters indeed seems to be essential to writing good fiction.
I assume that readers do a similar thing, so if a character in a book does something that doesn’t fit the mental model they have in mind, they often find it “unbelievable” or “unrealistic”, which is one of the reasons while “listen to your characters” seems to be good advice while writing.
This may be true if you write a scientific paper, an essay or a non-fiction book. As a professional writer, when I write a novel, I usually don’t think about the reader at all (maybe because, in a way, I am the reader). Instead, I track a mental state of the character I’m writing about. This leads to interesting situations when a character “decides” to do something completely different from what I intended her to do, as if she had her own will. I have heard other writers describe the same thing, so it seems to be a common phenomenon. In this situation, I have two options: I can follow the lead of the character (my tracking of her mental state) and change my outline or even ditch it completely, or I can force her to do what the outline says she’s supposed to do. The second choice inevitably leads to a bad story, so tracking the mental state of your characters indeed seems to be essential to writing good fiction.
I assume that readers do a similar thing, so if a character in a book does something that doesn’t fit the mental model they have in mind, they often find it “unbelievable” or “unrealistic”, which is one of the reasons while “listen to your characters” seems to be good advice while writing.